E !: The show also seems to reflect how society and social media are advancing faster than we can adjust.
CR: We’re in the patent era, aren’t we? We are the pilot program, and more than that as generations get smaller and smaller due to the advancements in technology, it feels like we’re pushing the boundaries even if we are still there. This story is set in 2014 which I remember very well. And I also remember the dial tone. I imagine it is even more suitable for young people. Connect with others online more and more. And I’m just wondering if it’s healthy, if that’s good.
E !: Do you think the next generation will handle social media better because they grew up with it?
CR: I think they did. I’m 26, so when I look at younger people and how comfortable they feel on their skin — because they really see themselves a little more. You record the video yourself. You take more pictures of yourself. It was a really beautiful thing to witness because it took me longer. They look deeper into the problem. And they’re saying, “I can strengthen myself through all that mess.” For that reason, there is hope. Maybe there’s a way to live in line with all of this, with all this online space.
Honestly, promoting a project is the worst part for me because right now, I have to post more on Instagram saying, “Hey, check out my show!” And I just finished The girl from Plainville so suddenly I have a very different relationship with social media. Every time I post, I’m like, “Oh my God, what am I doing? Why am I in?”
