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‘Triangle of Sadness’ wins Palme d’Or at Cannes Film Fest


Writer/director Ruben Ostlund, winner of the Palme d’Or for ‘Sad Triangle’, poses for photographers during the post-award photo session at the 75th international film festival, Cannes, south France, Saturday, May 28, 2022.

Petros Giannakouris | Photo AP

Swedish director Ruben Ostlund’s classic war comedy “Sad Triangle” won the Palme d’Or at the 75th Cannes Film Festival on Saturday, earning Ostlund one of the country’s most prestigious awards. second cinema.

Ostlund won Cannes’ top honors with his 2017 film “The Square,” “Triangle of Sadness,” which stars Woody Harrelson as the captain of a Marxist yacht and a gag climax. vomiting was rampant, pushing the irony even higher.

“We wanted after the movie (for everyone) to hang out together and have something to talk about,” Ostlund said. “We all agree that the unique thing about cinema is that we’re watching together. So we have to save something to talk about but we should also have fun and be entertained.”

The jury’s second prize, the grand prize, was split between Lukas Dhont’s tender childhood film “Close” and director Claire Denis’ “Stars at Noon”.

Korean star Song Kang Ho was honored as the best actor for his performance in the film “Broker” by Japanese director Hirokazu Kore-eda, about a Korean family looking for a home. for an abandoned baby.

“I want to thank everyone who appreciates Korean cinema,” said Song, who also starred in Bong Joon Ho’s Palme d’Or winner “Parasite” at Cannes three years ago.

Best Actress went to Zar Amir Ebrahimi for her role as a journalist in Ali Abbasi’s “Holy Spider”, a true crime thriller about a serial killer who targets sex workers. in the religious city of Mashhad in Iran. Violent and graphic, “Holy Spider” was not authorized to be filmed in Iran but was instead shot in Jordan. Accepting the award, Ebrahimi said the film depicts “everything that can’t be shown in Iran.”

The awards are selected by a nine-member jury headed by French actor Vincent Lindon.

The jury prize was split between Charlotte Vandermeersch and Felix Van Groeningen’s friendship story “The Eight Mountains”, and Polish director Jerzy Skolimowski’s “EO”, about a donkey’s journey through a poor modern Europe.

“I want to thank my donkeys,” says Skolimowski, who used six donkeys when making the film.

Swedish-Egyptian filmmaker Tarik Saleh won best screenplay at Cannes for “Boy From Heaven,” a horror film set in the Al-Azhar Mosque in Cairo.

This year’s award for best debut film, Camera d’Or, went to Riley Keough and Gina Gammell for “War Pony,” a television series about the Pine Ridge Preserve made in partnership with the companies. people of Oglala Lakota and Sicangu Lakota.

Saturday’s closing ceremony closed a Cannes that has attempted to fully revive France’s annual luxury that was canceled in 2020 by the pandemic and had only a modest audience last year. This year’s film festival also did not film the war in Ukraine, which has sparked red carpet protests and dialogue about the purpose of cinema in wartime.

Last year, the French body-horror film “Titane” won top prize at Cannes, making director Julia Decournau the second female filmmaker to ever win the Palme prize. In 2019, Bong Joon Ho’s “Parasite” won at Cannes before doing the same at the Oscars.

This year, the biggest Hollywood films at Cannes – “Elvis”, “Top Gun: Maverick”, “Three Thousand Years of Longing” – were excluded from Cannes’ competition list of 21 films. But their presence has helped restore some of Cannes’ glamor after the pandemic has shrunk the festival for the past two years.



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