If you’re like me and you grew up in an era where there were Thundercats on TV, you might have evolved new Pixar movie Turn red where a character picks up a sword with a very familiar design, in the center is a large red round stone on the crossbar. Later in the film, when the same character lifts his sword above his head and the jewel emits a vivid red beam of light, that moment becomes all the more familiar. The sword looks a lot like the Thundercats’ signature weapon, the Sword of Omens, and the action in that sequence resembles the sequence that ends almost every episode of the original 1980s version of the show, with protagonist Lion-O activates the sword and emits a massive explosion of red light to summon his allies or circumvent them from magical effects and physical limitations.
But Turn red director Domee Shi says that any similarity there only comes from the way the two Thunder cat and Turn red based on similar influences and images. “It’s just an homage to anime in general, not particularly Thunder cat! ” she told Polygon in an interview before the movie came out. “But it is very memorize Thunder cat. ”
Shi and her team attracted the word some of her favorite anime series to create the look of the movie and inspire details like the big pink smoke whenever the main character Mei transforms into a giant red panda, or the giant trembling “anime eyes” that the characters have in moments of intense emotion.
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Image: Pixar Animation Studios
“Throughout the whole movie, you see a mixture of Western and Eastern animation styles,” Shi told Polygon. “At that time, in the third season of the series, we raised the anime to 11, because it was an action-packed, emotional, exciting, dramatic moment and it felt like the perfect opportunity. to get that epic beam of light. I like how it fires right up to the beat. It is very satisfying. ”
The beam is also unlike anything else in Turn red, because it incorporates flat 2D overlays to enhance the 3D CGI of the rest of the movie. Credits to Shi and producer Lindsey Collins Pixar animator Rob Thompson with developing the look and feel of that particular effect. “They painted all this in all the evidence [of this scene]Collins said. “That was really fun.”
Shi says part of what gave her the confidence to stylize the movie the way she wanted and draw her favorite movies for inspiration, was her work on the 2019 Pixar project. Bagwon the Academy Award for Best Animated Short Film. Bag spark some strange reaction in the cinema from viewers who did not understand its meaning or symbolism, but it also received a strong positive response. Shi based on both of those reactions when she decided to do Turn red culturally and personally, knowing that people will see different things in it and interpret it differently, but will react strongly both ways.
“Bag gave me the confidence to push it in Turn redand actually take a lot of creative risks that I don’t think I would take without Tell, ” Shi said. “It gave me a craving for a reaction — the audience’s big, big, shocking response. I chased that dragon again, and we were able to catch it with Turn red. ”
